Human-Centered Journeys
The building slides into the fjord like a sheet of ice, inviting everyone onto its roof. Kids skateboard, tourists take photos, and locals meet at sunset, discovering culture by climbing it rather than waiting at the velvet rope.
Human-Centered Journeys
In New York, a telescoping shell rolls along tracks to expand performance space, then retreats to open a plaza. The motion feels theatrical before the show even begins, and visitors swear they sense the city itself taking a breath.
Human-Centered Journeys
Kengo Kuma’s design echoes Scottish sea cliffs, layering concrete panels that catch North Sea light. Families drift from galleries to the riverfront, where the building’s silhouette looks both ancient and new, like landscape remembering how to become architecture.